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Why, As Writers, Do We Cut the Things We Love?

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Why, As Writers, Do We Cut the Things We Love?
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The article explores the concept of ephemera in writing, detailing how certain beloved elements are often cut from drafts. It emphasizes that while these details may seem unnecessary, they play a crucial role in character development and storytelling. Ultimately, the author argues that the process of cutting is essential for crafting a coherent narrative.

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Literary Hub
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Opening excerpt (first ~120 words) tap to expand

Here are a few details from past drafts of my latest novel that ended up on the cutting room floor: the family babies, a brother-and-sister duo marooned from their older siblings by an age gap, branch off from their folks, who run a Reagan-era discount chain, to open a survivalist superstore (tagline: “It’s closer than you think!”). Years before, at age nine, the sister monkeys around the periphery of her parents’ high-pressure party, gets drunk, and throws up (okay, I appreciate the wisdom of editing a tanked third grader out of my manuscript); incensed by her brother’s ire, she punches him and cries out that he’s “an old shit-ass bag.” And at one point, there was an entire point-of-view that didn’t make the final edit: that of the matriarch’s love interest, a pretty, practical woman who…

Excerpt limited to ~120 words for fair-use compliance. The full article is at Literary Hub.

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