‘We Want to Help People Have Good Sex’: How Jane Schoenbrun Turned the Slasher Film Inside Out
Jane Schoenbrun's new film, 'Teenage Sex and Death at Camp Miasma,' premiered at Cannes, blending horror with themes of personal liberation. The film explores the intersection of formative experiences and the allure of slasher films, creating a narrative that resonates with fans of the genre. It is set to open in theaters on August 7th.
- ▪The film premiered at the Cannes Film Festival in the Un Certain Regard section.
- ▪Schoenbrun's childhood experience with horror films inspired their filmmaking approach.
- ▪The narrative combines elements of nostalgia and the exploration of identity through horror.
Opening excerpt (first ~120 words) tap to expand
In Cannes-versation blogherads.adq.push(function () { blogherads .defineSlot( 'inlineoop', 'gpt-rslogo-140-article-dsk-tab-uid8' ) .setTargeting( 'pos', 'rslogo140' ) .setSubAdUnitPath("tv-movies\/article\/logo") .addSize([[1,1]]) ; }); ‘We Want to Help People Have Good Sex’: How Jane Schoenbrun Turned the Slasher Film Inside Out The filmmaker and stars of 'Teenage Sex and Death at Camp Miasma' talk about personal liberation, the power of horror movies, and scoring massacres to the Counting Crows By David Fear David Fear Contact David Fear on X ‘He Was Outspoken From a Place of Love’: Steven Soderbergh on His John Lennon Doc ‘Hokum’ Is Proof That Adam Scott Should Do Horror Movies More Often ‘The Devil Wears Prada 2’ Dresses Up the Death of Journalism View all posts by David Fear May 20,…
Excerpt limited to ~120 words for fair-use compliance. The full article is at Rolling Stone.
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