The Prince of Italian Pop Art Smiles Again
Lévy Gorvy Dayan gallery offers new glimpses of the perfectionism and hidden goofiness of Domenico Gnoli, whose caricatures of reality captured la dolce vita.
Opening excerpt (first ~120 words) tap to expand
AdvertisementSKIP ADVERTISEMENTYou have a preview view of this article while we are checking your access. When we have confirmed access, the full article content will load.Supported bySKIP ADVERTISEMENT Critic’s NotebookThe Prince of Italian Pop Art Smiles AgainLévy Gorvy Dayan gallery offers new glimpses of the perfectionism and hidden goofiness of Domenico Gnoli, whose caricatures of reality captured la dolce vita.Listen · 7:34 min Share full articleDomenico Gnoli. “One gets seduced by the canyon-like weaves of his silk “Red Tie Knot” (1969),” our critic said.Credit...Artists Rights Society (ARS), New York, SIAE, Rome; via Lévy Gorvy Dayan, New YorkBy Walker MimmsApril 30, 2026, 5:01 a.m.
…
Excerpt limited to ~120 words for fair-use compliance. The full article is at NYT — Arts.