How Do Your Favorite Tracks End Up in Your Favorite TV Shows? With Jen Malone | Billboard On The Record
Jen Malone, a music supervisor and founder of Black and White Music, discusses the intricacies of music supervision in film and television. She highlights her collaborations with showrunners and the challenges of licensing popular songs. Despite the industry's struggles, Malone continues to create impactful soundtracks for various acclaimed shows.
- ▪Jen Malone is a music supervisor known for her work on shows like Atlanta and Euphoria.
- ▪She emphasizes the importance of music supervisors in shaping a series' musical identity.
- ▪The cost of songs for film and TV projects has increased, especially after the pandemic.
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Share on Facebook Share on X Google Preferred Share to Flipboard + additional share options added Share on Pinterest Share on Tumblr Share on Reddit Share on LinkedIn Share on Whats App Send an Email Print this article Post a Comment Is music supervision the most misunderstood job in film and television? Jen Malone, music supervisor and founder of Black and White Music, sits down with Billboard On The Record to break down the art of building musical soundtracks. From her work on shows like Atlanta, Euphoria, Love Story and more, Malone explains how music supervisors shape a project from pre-production through post-production, collaborating closely with showrunners to build a series’ musical identity.
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