Have no doubt: the campaign to sack Misan Harriman is part of an assault on black figures in public life | Afua Hirsch
The campaign against Misan Harriman, chair of the Southbank Centre, reflects a broader issue regarding the treatment of black figures in UK public life. Critics argue that the attacks on Harriman are motivated by a desire to control who is deemed acceptable in cultural leadership roles. This situation highlights ongoing tensions surrounding race, representation, and the influence of right-wing narratives in the media.
- ▪Misan Harriman is the first black man to shoot the cover of British Vogue and has been a prominent figure in British cultural life.
- ▪A campaign has emerged targeting Harriman, questioning his qualifications and suitability for leadership based on his ethnicity and background.
- ▪The attacks on Harriman are seen as part of a larger trend of marginalizing black and brown individuals in public roles.
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Misan Harriman at the National Portrait Gallery in London, November 2021. Photograph: David Parry/ShutterstockView image in fullscreenMisan Harriman at the National Portrait Gallery in London, November 2021. Photograph: David Parry/ShutterstockOpinionRaceHave no doubt: the campaign to sack Misan Harriman is part of an assault on black figures in public lifeAfua HirschThe move against the boss of London’s Southbank Centre sends a forbidding message about who is and isn’t seen as fit to lead in UK cultureThu 21 May 2026 01.00 EDTShareI met Tommy Robinson once.
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Excerpt limited to ~120 words for fair-use compliance. The full article is at The Guardian — Politics.